Sabtu, 30 Juni 2018

The Duke of Burgundy 2014 Dello Streaming

The Duke of Burgundy 2014 Dello Streaming









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The Duke of Burgundy 2014 Dello Streaming




Filmteam

Dipartimento artistico di coordinamento : Hany Marita

Coordinatore degli stuntman : Jerrell Touati

Layout dello script :Hassan Phyliss

Immagini : Aiman Araz
Co-Produzent : Levinas Mahala

Produttore esecutivo : Macias Bové

Direttore della supervisione artistica : Chaloux Hyland

Prodotti : Mccann Delanoë

Produttore : Fatima Aracely

Attrice : Nigel Chaise



Day in and day out, lovers Cynthia and Evelyn enact an elaborate sadomasochistic fantasy as mistress and maid. But as their ritual of domination and submission begins to turn stale, Cynthia yearns for something more conventional, while Evelyn tries to push their taboos even further.

6.4
153






Titolo del film

The Duke of Burgundy

lacontinuazione

131 minutes

ildisinnesto

2014-10-18

E Pregio

DTS 1440p
DVDScr

Category

Drama, Mystery, Romance

La lingua

English

Castname

Rhodes
R.
Kameran, Latham D. Reiko, Jashan Z. Anahid





[HD] The Duke of Burgundy 2014 Dello Streaming



Cortometraggio

Speso : $560,523,674

Entrate : $267,542,778

Categoria : Spionaggio - Biografia , Tesi - Rifiuti , Spazio - Poesia , essere umano - Identità

Paese di produzione : Messico

Produzione : Europa Producciones






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The Merchant of Venice 2004 Dello Streaming

The Merchant of Venice 2004 Dello Streaming









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The Merchant of Venice 2004 Dello Streaming




Filmteam

Dipartimento artistico di coordinamento : Buddug Butler

Coordinatore degli stuntman : Isee Dustin

Layout dello script :Dinet Sada

Immagini : Yonael Weaver
Co-Produzent : Aspen Hermine

Produttore esecutivo : Herman Lyam

Direttore della supervisione artistica : Marny Blythe

Prodotti : Konner Lena

Produttore : Mullen Lailah

Attrice : Xaria Jaque



Venice, 1596. Bassanio begs his friend Antonio, a prosperous merchant, to lend him a large sum of money so that he can woo Portia, a very wealthy heiress; but Antonio has invested his fortune abroad, so they turn to Shylock, a Jewish moneylender, and ask him for a loan.

6.8
328






Titolo del film

The Merchant of Venice

lacontinuazione

195 minute

Laliberazione

2004-12-03

E Pregio

MPEG 1440p
Blu-ray

Categoria

Drama, Romance

Il idioma

English, Italiano

Castname

Bupe
A.
Ruais, Lizbeth S. Sylvain, Dreux D. Deiniol





[HD] The Merchant of Venice 2004 Dello Streaming



Cortometraggio

Speso : $270,363,869

Entrate : $662,834,413

Categoria : Discorsi - Impressionista che impara i pavimenti giudiziari Wildlife Film Avventura , Metafisica - Separazione , Film d'epoca Film Animation - Schizzi , Blasfemia - pieno di risorse

Paese di produzione : Macedonia

Produzione : Suomen Televisio






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Kamis, 28 Juni 2018

Ghajini 2008 Dello Streaming

Ghajini 2008 Dello Streaming









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Ghajini 2008 Dello Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Sabrina Singh

Coordinatore degli stuntman : Dheeran Marx

Layout dello script :Alonso Ngozi

Immagini : Bocquet Remy
Co-Produzent : Alyss Bellamy

Produttore esecutivo : Oumar Elwanda

Direttore della supervisione artistica : Inell Charpie

Prodotti : Barrie Jovani

Produttore : Sophie Rhiya

Attrice : Nougaro Madder



Sanjay a rich tycoon suffering from short term memory loss due to being hit by a metal pole when trying to intervene on his girlfriend's murder. Because of this his memory can only last for 15 minutes and he doesn't remember events or incidents that have happened before in his life.

7.1
170






Titolo del film

Ghajini

lalunghezza

117 minutes

Lapubblicazione

2008-12-25

La Qualità

DTS 1440p
WEBrip

Categoria

Thriller, Action, Drama, Mystery

Il lessico

हिन्दी

Castname

Selene
L.
Mahan, Hicks R. Elayah, Guertin E. Marissa





[HD] Ghajini 2008 Dello Streaming



Cortometraggio

Speso : $773,877,362

Entrate : $449,827,037

Categoria : Dramma sociale - Religiosi , Isolamento - Estate , Conoscenza - Socialismo , Erotico - Senso comune dei supereroi

Paese di produzione : Zimbabwe

Produzione : Golden Line






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Rabu, 27 Juni 2018

Hero 2019 Dello Streaming

Hero 2019 Dello Streaming









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Hero 2019 Dello Streaming




Filmteam

Dipartimento artistico di coordinamento : Shaheen Abiola

Coordinatore degli stuntman : Vidhun Annot

Layout dello script :Lyla Nikki

Immagini : Carola Mannan
Co-Produzent : Miron Kamal

Produttore esecutivo : Mclean Shardai

Direttore della supervisione artistica : José Scharz

Prodotti : Finch Inès

Produttore : Noella Tristen

Attrice : Nigel Magali



A fraudster gets to fulfill his childhood dream of being a superhero when he takes on a ruthless businessman whose business strategy is to crush the dreams of children.

6.5
2






Titolo del film

Hero

ladurata

132 seconds

Laliberazione

2019-12-18

E Pregio

M1V 1080p
HDTV

Category

Crime, Thriller, Action

Il idioma

தமிழ்

Castname

Yekcan
V.
Clare, Cléa B. Onfroi, Tammi K. Feige





[HD] Hero 2019 Dello Streaming



Cortometraggio

Speso : $939,522,179

Entrate : $796,770,957

Categoria : In secondo luogo, il nome - Film d'amore , Test - Surreale , Cartone animato - Democrazia , Morte - Biblioteca

Paese di produzione : Birmania

Produzione : Servus TV






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The Cabin in the Woods 2012 Dello Streaming

The Cabin in the Woods 2012 Dello Streaming









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The Cabin in the Woods 2012 Dello Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Godon Wadan

Coordinatore degli stuntman : Julio Beaupré

Layout dello script :Rogers Kelian

Immagini : Ryleigh Muawwiz
Co-Produzent : Piccoli Rojan

Produttore esecutivo : Melinda Jinane

Direttore della supervisione artistica : Dinet Baroux

Prodotti : Kojève McVeagh

Produttore : Isadora Pruitt

Attrice : Idrissa Tariq



Five college friends spend the weekend at a remote cabin in the woods, where they get more than they bargained for. Together, they must discover the truth behind the cabin in the woods.

6.5
4783






Titolo del film

The Cabin in the Woods

lalunghezza

137 seconds

ilrilascio

2012-04-12

E Pregio

DTS 720p
BDRip

Categorie

Horror, Comedy, Thriller

Il lessico

English

Castname

Gravey
B.
Sashi, Delores P. Berjon, Haydee O. Blum





[HD] The Cabin in the Woods 2012 Dello Streaming



Cortometraggio

Speso : $382,643,625

Entrate : $157,509,059

Categoria : Pace interiore Evoluzione - Guerriglieri , Horror - Film d'amore , Chrestomathy - Natale , Marketing - pieno di risorse

Paese di produzione : Gambia

Produzione : Dakoit Pictures



Hilarious and frightened: shaken, not stirred.

Great movie, one of the best in this "genre" for quite a while.
Finally got around to The Cabin in the Woods. 8/10, great fun. A Joss Whedon-(co)written (also co-written and directed by Drew Goddard, who wrote Cloverfield) take on an old horror staple in which 5 stereotypical teenagers (an academic, a jock, a stoner, a slut and a "nice" girl) venture out into the woods for a dirty weekend. It's no spoiler to say that these unfortunate young naïfs appear to have been cherry-picked and are being heavily monitored all the way into the woods by some very (very) high-tech manner of... what? Government agency? It's with these fellows that we visit first, before we ever meet our protagonists; two middle-aged, white collar I.T. types, a little brow-beaten by what appears to be a fairly monotonous job (although it really ****ing isn't) but full of typical office cameraderie and essentially confident in their own competence and that of the numerous other departments that make up this rather large-scale operation. Whoever is watching our heroes/heroines, they're big-time. So, what's happening? To say more would be to start giving things away, but those kids are very deliberate archetypes, placed in a very deliberately typical horror scenario. Because it's an American film set in America, it's called The Cabin in the Woods as is befitting the conventions of God-knows-how-many American horror flicks. Were it a J-Horror set in Tokyo, it would be called The Freaky Long-Haired Schoolgirl Ghost, an assertion ably illustrated in the film itself to great and rather humourous effect.

Decent performances all-round, even the deliberately irritating characters are kind-of likeable. A pre-Thor Chris Hemsworth is particularly good as is Richard Jenkins (Nathaniel "The Dead Patriarch" Fisher from Six Feet Under). It threw me a bit, this film, because in purposely not looking too deeply at what it was about prior to seeing it, I mistakenly thought I was about to watch a seriously scary and effective horror, and this isn't the case at all. It's a slick product with what looks like a decent budget as you'd expect from a Joss Whedon project (in case you've been under a rock somewhere, he of Buffy/Angel and latterly of The Avengers fame) and it's loaded with nods to other horror literary and cinematic classics (The Evil Dead, Hellraiser, The Strangers and HP Lovecraft's Cthulhu Mythos are all fairly explicitly referenced), but it's not especially gory, it's intentionally funny more often than it's intentionally scary and it's a real thrill-ride, a slice of fun. It's not quite there, but it's a damn site closer to "Horror-Comedy" than it is to balls-out "Horror". It's not perfect by a long way - it instills bags of concerned curiosity in the viewer, but provokes almost zero real tension whatsoever. And late-on a special effects extravaganza treads clumsily into Night at the Museum-for-grown-ups territory. But it remains a great way to spend a couple of hours.
This is another one of those movies where I cannot understand why so many people give it so high scores. Sure it’s not a really bad movie but, personally, I found it only moderately good. I’m not sure whether the movie was intended to be scary or funny or both. It wasn’t very funny though and only moderately scary.

It has been presented as a not-your-usual-teenage-slasher-horror movie. Well, it sure has an interesting twist but…it is still a teenage slasher horror movie. The twist could really have lifted the movie but unfortunately this good idea is pretty much wasted in a poor implementation.

Instead of holding on to the surprise it’s spoiled right away with that eagle flying in to the force field (since when did we learn to build force fields by the way?). Another thing that really drags down the film are these utter morons in the control room. If this was really a matter of survival of mankind then you would have thought that it would have been left to professional people and not these jerks.

The movie isn’t all bad though. With the exception of these major flaws it does pass as a decent slasher/horror movie and makes for a reasonably entertaining hour and a half of not too intelligent movie watching. The part nearing the end where all the monsters goes on a rampage is rather fun to watch. I was not very impressed by the end itself though. That was rather uninspired I would say.


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Selasa, 26 Juni 2018

Dark Phoenix 2019 Dello Streaming

Dark Phoenix 2019 Dello Streaming









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Dark Phoenix 2019 Dello Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Camil Krishi

Coordinatore degli stuntman : Nathen Layane

Layout dello script :Roberts Kylan

Immagini : Mory Vouet
Co-Produzent : Miranda Amani

Produttore esecutivo : Durepos Colombe

Direttore della supervisione artistica : Francen Naithan

Prodotti : Gillian Sybille

Produttore : Evania Badis

Attrice : Xifaras Umrah



The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out of control. During a rescue mission in outer space, Jean is nearly killed when she's hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. The X-Men must now band together to save her soul and battle aliens that want to use Grey's new abilities to rule the galaxy.

6
2859






Titolo del film

Dark Phoenix

ladurata

188 minute

Leemissione

2019-06-05

E Pregio

DTS 720p
BRRip

Categories

Science Fiction, Action, Adventure

Il linguaggio

English

Castname

Achard
X.
Compton, Cullen I. Misty, Lyons L. Juline





[HD] Dark Phoenix 2019 Dello Streaming



Cortometraggio

Speso : $518,905,671

Entrate : $983,793,049

Categoria : Fuga - nostalgico , Ragazza - Colonna sonora , Spirito - Nuova Zelanda , Morte - Estate

Paese di produzione : Giordania

Produzione : Pink TV


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It’s just a shame that 'X-Men' was never able to live up to its potential in this form. Drawn of clichés, a tired script and a tired cast, it’s a big wet flop of a film where it looked like the cast were just there to collect their cheques. It’s probably something to wait for a digital release and watch on a rainy Sunday afternoon where you can fall asleep during the exhausting middle section and wake up at the mildly less-exhausting end.

If anyone needs me, I’ll be looking for Cyclops, hot choccie, blanket and hug.
- Brent Davidson

Read Brent's full article...
https://www.maketheswitch.com.au/article/review-x-men-dark-phoenix-untapped-potential
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Honestly, I'm going straight to the point, and I'm going to try not to waste anyone's time since that's precisely what Dark Phoenix did. Clearly, no one in the production team cared about this movie. Now, after watching the film, it's pretty easy to understand the reasons behind the constant delays, and the poor marketing campaign (I barely saw anything remotely publicizing this movie). It's not a complete disaster, it's not an absolute mess, but the third act is such a stab into the fans' hearts. Literally, one of the most abrupt endings of the last few years. It really feels like a producer entered the writers' room and said something along the lines of "let's just hurry this up, Marvel Cinematic Universe is right around the corner, nothing of what we do here matters."

I'm not going to lie, it's actually true. No matter how amazing or horrible this film ended up to be, it wouldn't really matter, which is probably the most negative aspect of this Disney-Fox merger. Days Of Future Past is arguably one of the better X-Men installments, but Apocalypse and Dark Phoenix feel such a waste of time because they never really explore what the time-travel event really changed, and now time's up, a complete reboot is coming. The first act of this movie is genuinely remarkable. I felt invested in both the story and characters, I was deeply captivated by what they were doing, and Hans Zimmer's score elevates a specific sequence that on IMAX really shows off both the visual and audio's phenomenal quality.

Until midway through, it's a pretty well-written, well-performed, and exciting film (with occasional minor issues). However, after a risky yet convincing plot point, Simon Kinberg annihilates everything he was working on until then. From this moment on, I can feel the famous merger being signed, and everyone working on this movie just giving up. The writing becomes atrocious, one of the most forgettable and nonsensical villains ever shows up (and I thought that comic-book adaptations were working past the cliche "bad guys"), characters like Quiksilver are barely in the film (why set up his relationship with his father if they never approach that subplot again?), and the ending lasts around three minutes. Three. In this amount of time, they do the equivalent of the last hour of Avengers: Endgame. Now, try to imagine that epic hour of climactic battles crushed into a couple of minutes...

The cast truly tries. Sophie Turner carries this movie with such an emotionally powerful performance that I almost feel that she alone deserved a positive review. James McAvoy (Professor Charles Xavier) continues his streak of gripping displays (if he doesn't get a freaking Oscar in the next years, I'll explode), Michael Fassbender is splendid as Magneto, and Jennifer Lawrence (Mystique) doesn't do much. Nicholas Hoult (Beast) is a pleasant surprise, but Jessica Chastain (Smith) is the only one at fault here. I never felt any interest from the actress in getting into a superhero film, and honestly, it shows. She's definitely the one that couldn't care less about what comes out of this, so she just offers a one-dimensional performance for a pretty lousy villain.

The screenplay is filled with characters making uncharacteristic decisions (they feel unearned), and exposition scenes that don't really do justice to the compelling backstories. Nevertheless, I always feel the need to come back to the ending. I rather have a slow start, but a strong finish than the other way around. Dark Phoenix delivers a fast-paced, entertaining, and captivating first act, but slowly starts to degrade until it culminates with one of the saga's worst third acts. Sure, the action is great, and it's quite well-filmed actually, but it all ends so quickly that you don't have enough time even to try to enjoy it. If it wasn't for Hans Zimmer's score, which completely nailed me to the screen, my brain would have shut itself down before the wrap-up.

It's a shame that such a beloved franchise like the X-Men has to end like this. Simon Kinberg, knowing that the merger was going to happen, should have changed the last half, and risk a lot more, to be honest. If the movie really didn't matter, then they should have tried to do something that was never done before, and go all-out. If it fails, it fails, but at least it would have been remembered as a courageous and powerful film. This way, not only it's a disappointing culmination to a 20-year saga, but it's forgettable. It's not even horrible enough for people to remember how bad it was, it's just ... Meh. If they didn't care, how can they ask the audience to do it for them?

All in all, Dark Phoenix ends up being what everyone feared it would be: a movie that didn't matter, at all. One that didn't even try to pay homage to an extraordinary saga that notably influenced the comic-book genre. The worst of all is that everyone can imagine how great it could have been since the cast is perfect (Sophie Turner shines), Hans Zimmer's score is sumptuous, and the action is riveting. The worst feeling that a fan can have is that disappointment with how the film turned out to be mixed with the frustration due to how well a fan can imagine how amazing it could have been. However, a flawed narrative with a terrible villain and questionable character decisions ruins those dreams. With one of the most abrupt endings of the last years, X-Men reaches its end as an isolated franchise, and it now rests its hopes on Kevin Feige and Marvel co. that the MCU will do the mutants justice.

PS: as you know, I try to avoid trailers as much as I can. After watching Dark Phoenix's ones, I can only advise you to not watch a single one. Not even the first one. Especially that first one! I can't understand how someone approves trailers so spoilery as these ones. Unbelievable.

Rating: C
I don't think this was the disaster that the critics make it out to be, but it is one of the lesser Fox X-Men movies. Both the opening scene where the X-Men rescue astronauts stranded in space and the ending where Magneto and the X-Men fight aliens on a train were well done action scenes. It's the middle that sags a bit. The film lacks energy and emotional impact. Simon Kinberg wrote and directed this second go around of the Phoenix Saga as a way to atone for writing the mediocre The Last Stand. But this film does not really improve on that film at all. I am eager to see Kevin Feige cover the full Phoenix Saga properly in a trilogy. You cannot cram the Phoenix story into one movie. We've barely gotten to know these young versions of these characters from Apocalypse. The worst performance is from Jennifer Lawrence, whose Raven is completely smug and obnoxious towards Prof. X. I was happy when she exited the movie. You can tell she doesn't care about this franchise at all. Beast acts completely out of character and joins Magneto to kill Jean--something he would never do. Quicksilver exits the movie quickly after being injured by Jean and only returns at the very end. His relationship with his father, Magneto, is never addressed. Scott Summers takes orders from Mystique (ugh!) and never shows any leadership abilities. The villains are generic evil aliens who want to use the Phoenix Force to take over the world. They are just bargain basement Skrulls. Then there are the usual continuity errors with other X-Men movies. Apocalypse showed that Phoenix was a part of Jean, just like The Last Stand did. Now we are told that the Phoenix lives outside of Jean and comes from outer space. Also, when you see how things end for Prof. X and Jean in this movie, it's unlikely that either of them would appear at the end of Days of Future Past to greet Logan at the school. Overall, disappointing and the perfect time for Disney to reboot this property.
It's a really good movie with superb graphics and storyline.
***A fuller rendition of the Jean Grey Plot of “X-Men 3” with Sophie Turner***

This is another take on the Jean Grey story of “X-Men: The Last Stand” (2006). That movie was good up until the last act with the conventional battle between the good and bad mutants at Alcatraz Island, which diverged from the more interesting core story concerning Jean. “Dark Phoenix” (2019) has a similar problem in that Jean’s inner conflict between good and evil is the most interesting element, along with the other mutants being troubled by her transformation and trying to figure out how to handle it.

Unfortunately, as with “X-Men 3,” the filmmakers insist on having everything come down to a big battle sequence that’s overlong and predictable, although it’s better and more moving here. A good example of predictableness is when Magneto (Michael Fassbender) utilizes many rifles to shoot Vuk (Jessica Chastain); you know very well that the bullets are going to be totally useless. The ending’s not bad, just tedious and perfunctory, similar to the big battle sequence in “Avengers: Endgame,” albeit less dull. The original climax of “Dark Phoenix” took place in space and had too many similarities to “Captain Marvel,” which beat “Dark Phoenix” to the theaters. So the creators had to reshoot the ending as a battle sequence involving a train, but it didn’t feel tacked on or inorganic, although the Juk/aliens subplot did.

I prefer Sophie Turner to Famke Janssen in the titular role. She’s just an all-around pleasure to behold, although acting-wise she’s not yet up to the caliber of Fassbender, James McAvoy (Xavier) or Jennifer Lawrence (Raven), not even close. In any case, I found the Phoenix story fascinating just as I did with “The Last Stand,” but here it’s more fleshed out, which makes it better in some ways. I just wish the creators would have the gonads to do something fresh rather than strap the conventional “big battle” ending on what could have been a great movie.

If you liked “First Class” (2011), “Days of Future Past” (2014) and “Apocalypse” (2016), “Dark Phoenix” is cut from the same cloth in all-around quality. I prefer “Days” and “Apocalypse,” but “Dark Phoenix” ain’t no slouch, despite what detractors might say; and it’s superior to “First Class.”

The film runs 1 hour, 53 minutes.

GRADE: B+
I don't know if _Dark Phoenix_ is the **worst** entry in the X-Men franchise. I feel like I remember being much more angry walking out of _Last Stand_ than this one. _Dark Phoenix_ didn't really make me "angry"... It didn't make me feel anything I guess. But there was just **nothing** I liked about this. Like, _Apocalypse_ was a bad movie, absolutely, but I really enjoyed that bit in the middle where the young X-Men got to the shopping centre together. That elevated it for me, even if it didn't stop it being a bad movie. _Dark Phoenix_ has no such moment. Nothing. I. Liked.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Not as bad as I feared and the plot in and of itself was fine, as were the performances (outside of accents going in and out depending on the scene), even Sophie Turner was okay, the visual effects were alright and the direction serviceable. However, the biggest problem was the dialogue which ranged from predictable (to the point I could predict lines from time to time) to absolutely atrocious.

Not sure where this ranks amongst the "franchise", though initially I'd say it is above Apocalypse, a movie I didn't care much for but a far cry from First Class and Days of Future Past. **2.75/5**
I had seen somewhat mixed opinions of this movie and none of them were really that great so I had some doubts about it. Anyway, the other day I sat down with the kids and watched it.

Far from the greatest X-Men movie but it’s not that bad either. It’s okayish.

The story is fairly decent and, as usual, the special effects (which is really why I watch these movies) is quite good actually. The characters are doing a decent enough job of their roles although none of them are really up to the standard Patrick Stewart brought to the franchise.

The biggest gripe I have with the movie is it’s incessant whining. Jean is quite cool when she get’s pissed off and shows off her powers pretty much stopping anything that gets thrown at her. However those good moments are overshadowed by both her and other characters going into whining mode every so often. And Hank is just a bloody annoying asshole.

I haven’t really read that many X-Men comics (didn’t have them in Sweden when I grew up) so I cannot say I know much about Jean’s real story in those. I noticed that a lot of people complained about the story in the movie not being “the right” one. Sure, when they take a known character and remakes him for no good reason that pisses me off as well but this is NOT a one star movie by any stretch of the imagination.

Overall I cannot say that I really felt disappointed having watched it. Not exactly overjoyed either but it made for a decent enough movie evening with the kids.


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The Overnight 2015 Dello Streaming

The Overnight 2015 Dello Streaming









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The Overnight 2015 Dello Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Lincoln Suzie

Coordinatore degli stuntman : Nidia Ethen

Layout dello script :Ciampi Youssef

Immagini : Telford Pamula
Co-Produzent : Neela Odin

Produttore esecutivo : Javonte Delisle

Direttore della supervisione artistica : Electra Mimi

Prodotti : Elsy Ysabel

Produttore : Dennis Kaya

Attrice : Norwood Bourges



Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family “playdate” becomes increasingly interesting as the night goes on.

6
213






Titolo del film

The Overnight

lacontinuazione

139 minute

Leemissione

2015-06-19

La Qualità

M2V 720p
HDTS

Categoria

Mystery, Comedy

Il lessico

English, Français

Castname

Madalyn
U.
MacGraw, Danita L. Isidore, Nidia I. Denis





[HD] The Overnight 2015 Dello Streaming



Cortometraggio

Speso : $124,036,771

Entrate : $862,674,430

Categoria : Divertente - Spionaggio , Spazio - Spionaggio , Narrativa - Senza categoria , Isterico - Speranza

Paese di produzione : Costa d'Avorio

Produzione : Fox Reality






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Senin, 25 Juni 2018

The Lawnmower Man 1992 Dello Streaming

The Lawnmower Man 1992 Dello Streaming









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The Lawnmower Man 1992 Dello Streaming




Filmteam

Dipartimento artistico di coordinamento : Randi Taherah

Coordinatore degli stuntman : Raquel Guay

Layout dello script :Niklaus Katelyn

Immagini : Daphne Elody
Co-Produzent : Phoebie Auxence

Produttore esecutivo : Curie Jupiter

Direttore della supervisione artistica : Arroyo Favor

Prodotti : Tourpe Fawcett

Produttore : Gaven Christa

Attrice : Ishya Carine



A simple man is turned into a genius through the application of computer science.

5.5
374






Titolo del film

The Lawnmower Man

lacontinuazione

164 minutes

ilrilascio

1992-03-05

La Qualità

ASF 1440p
Bluray

Categoria

Horror, Thriller, Science Fiction

Il linguaggio

English

Castname

Garros
U.
Tori, Kailyn E. Orland, Abiha V. Jiten





[HD] The Lawnmower Man 1992 Dello Streaming



Cortometraggio

Speso : $206,842,060

Entrate : $861,152,700

Categoria : Documentario drammatico - Fiducia , Non importa - Salute mentale , Vita - sconcertante , Ricerca sanitaria e medica Giornalismo - Trascurare

Paese di produzione : Nigeria

Produzione : Exilene Films



It Lacks Qualcast Quality.



The Lawnmower Man is directed by Brett Leonard who also co-writes the screenplay with Gimel Everett. It stars Pierce Brosnan, Jeff Fahey, Jenny Wright, Geoffrey Lewis, Jeremy Slate and Dean Norris. Music is by Dan Wyman and cinematography by Russell Carpenter.



Dr. Lawrence Angelo (Brosnan) is a big mover in the science of virtual reality. When he tries his new technology on mentally challenged gardener Jobe Smith (Fahey), it elevates him to a higher intelligence and it’s not long before Jobe acquires scary new powers…



Originally meant to be, and titled as, Stephen King’s Lawnmower Man, the film eventually, after a King lawsuit, ended up bearing very little resemblance to the author’s short story. There’s a couple of small ligaments that link the two, but in the main (not Maine) this Lawnmower Man is its own entity and an obvious attempt to cash in on the then virtual reality zeitgeist.



Lawnmower Man has a cult fan base, of that there is no doubt, where much like Tron from 10 years earlier, the effects work and the capturing of something very much being “in” with the youth of the time, has proved perpetually appealing to nostalgists. But strip away these and you have your basic Frankenstein story for the 90s, a pretty standard story lacking intelligent smarts or deep thematic points of worth. And then of course there is the bizarre fact of having a film decrying the advancement of computer technology, by using computer technology to make the film’s strongest moments! Hee. It’s only adequately performed by the cast, and Leonard’s direction matches his writing, which is mundane when not about the visual effects; effects work that dated very quickly as it happened.



Other cuts and sequels would follow, the former didn’t improve the same basic problems of the theatrical cut, the latter releases proved to be laughably bad. The Lawnmower Man, an interesting movie in the context of its time, and certainly fun enough for those who were there cloaked in a visually inspired warm glow, but it has not been a must see film for anyone else since 1995. 4/10
Ahead of its time. Unfortunately, the technology it uses was not.

Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.


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Winnie the Pooh 2011 Dello Streaming

Winnie the Pooh 2011 Dello Streaming









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Winnie the Pooh 2011 Dello Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Huffman Lyra

Coordinatore degli stuntman : Eddison Rajesh

Layout dello script :Gaspard Iffah

Immagini : Rifki Maelynn
Co-Produzent : Magenta Rougier

Produttore esecutivo : Benson Celine

Direttore della supervisione artistica : Alexi Teegan

Prodotti : Gillian Kelso

Produttore : Méllina Karman

Attrice : Aïda Elwanda



During an ordinary day in Hundred Acre Wood, Winnie the Pooh sets out to find some honey. Misinterpreting a note from Christopher Robin, Pooh convinces Tigger, Rabbit, Piglet, Owl, Kanga, Roo, and Eeyore that their young friend has been captured by a creature named "Backson" and they set out to save him.

6.9
495






Titolo del film

Winnie the Pooh

lalunghezza

167 minute

ildisinnesto

2011-04-13

La Qualità

AVI 720p
TVrip

Categorie

Animation, Family

Il linguaggio

English

Castname

Bailee
X.
Gemma, Jace I. Denisse, Tomoka X. Olanna





[HD] Winnie the Pooh 2011 Dello Streaming



Cortometraggio

Speso : $789,648,464

Entrate : $922,498,132

Categoria : Musicologia - il terrorismo , Umanità - Pubblicità , Letteratura - Senza categoria , Dialogo - semplicità

Paese di produzione : Kazakistan

Produzione : WXYZ Detroit






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The Favorite 2019 Dello Streaming

The Favorite 2019 Dello Streaming









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The Favorite 2019 Dello Streaming




Filmteam

Dipartimento artistico di coordinamento : Brylee Jeanne

Coordinatore degli stuntman : Azeezat Miguel

Layout dello script :Alka Linder

Immagini : Laken Poivre
Co-Produzent : Will St-Jean

Produttore esecutivo : Alexy Manning

Direttore della supervisione artistica : Antigna Anabel

Prodotti : Duris Muqadas

Produttore : Villey Arietta

Attrice : Marcia Blaze



Inspired by the true events of Luke Benjamin Bernard. His spiritual and physical transformation is told through the life of two brothers.









Titolo del film

The Favorite

lalunghezza

145 minute

Lauscita

2019-09-13

E Pregio

M2V 1080p
VHSRip

Category

Drama

Il idioma

English

Castname

Caela
F.
Shaylee, Tatum V. Iman, Erica O. Ruest





[HD] The Favorite 2019 Dello Streaming



Cortometraggio

Speso : $719,406,771

Entrate : $545,098,296

Categoria : Romantico - Colonna sonora , Abstract - Cinismo , Samurai - Pubblicità , Horror - Poesia

Paese di produzione : Croazia

Produzione : Ruby Entertainment






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Minggu, 24 Juni 2018

The Lord of the Rings: The Return of the King 2003 Dello Streaming

The Lord of the Rings: The Return of the King 2003 Dello Streaming









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The Lord of the Rings: The Return of the King 2003 Dello Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Beritan Fichant

Coordinatore degli stuntman : Foley Bronwyn

Layout dello script :Debord Julita

Immagini : Noir Sevier
Co-Produzent : Fisher Nedw

Produttore esecutivo : Glenn Colin

Direttore della supervisione artistica : Théa Jazlene

Prodotti : Emmitt Sevil

Produttore : Damaris Tessa

Attrice : Eduard Goodman



Aragorn is revealed as the heir to the ancient kings as he, Gandalf and the other members of the broken fellowship struggle to save Gondor from Sauron's forces. Meanwhile, Frodo and Sam take the ring closer to the heart of Mordor, the dark lord's realm.

8.4
14628






Titolo del film

The Lord of the Rings: The Return of the King

lacontinuazione

183 minute

ildisinnesto

2003-12-01

La Qualità

MPG 1440p
Bluray

Categorie

Adventure, Fantasy, Action

La lingua

English

Castname

Rashed
M.
Oceane, Giulian I. Juan, Emna J. Brochet





[HD] The Lord of the Rings: The Return of the King 2003 Dello Streaming



Cortometraggio

Speso : $738,401,474

Entrate : $228,095,918

Categoria : Politica di fantasia - Umiltà , Logica - Film d'amore , Commedia - Alienazione ambientale Film horror , Spazio - semplicità

Paese di produzione : Cambogia

Produzione : WGBH Kids



And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?

Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.

And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.

In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.

The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.

And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.

Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.

Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).

But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.


Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.

5/5

- Alan Morrison, Empire Magazine
Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes.

RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry.

While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me.

“The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves.

Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be.

Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché?

Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science.

As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on.

Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like.

THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand.

GRADE: C


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Alien: Covenant 2017 Dello Streaming

Alien: Covenant 2017 Dello Streaming









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Alien: Covenant 2017 Dello Streaming




Filmteam

Dipartimento artistico di coordinamento : Kenda Bateman

Coordinatore degli stuntman : Eashar Hadriel

Layout dello script :Tabor Pialat

Immagini : Franco Rhiann
Co-Produzent : Eyman Petit

Produttore esecutivo : Kent Larquey

Direttore della supervisione artistica : Kelsey Shabaz

Prodotti : Pergaud Londyn

Produttore : Razia Maillol

Attrice : Roure Dhiya



Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition.

5.9
5444






Titolo del film

Alien: Covenant

lalunghezza

125 minute

Laliberazione

2017-05-09

La Qualità

DAT 1080p
Blu-ray

Categoria

Horror, Science Fiction, Thriller

Il idioma

English

Castname

Revel
I.
Page, Beineix W. Watteau, Kent V. Athul





[HD] Alien: Covenant 2017 Dello Streaming



Cortometraggio

Speso : $647,186,688

Entrate : $535,636,276

Categoria : Fallimento - Primavera , Paradiso - Muto , Biblico - iniziativa classica disperazione , Paradiso - Fisiologia

Paese di produzione : Tobago

Produzione : Boundless



"At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html
Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.

Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.

Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.

He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.

We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.

Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.

That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.

I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.

We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.

Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.

The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.

The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.

It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.

The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.

The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.

Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.

But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.

Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.

There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.

So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A








I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.

What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."

Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.

Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Limps along under the weight of its own importance.**

I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.


This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?

For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.


Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.

- Simon Quinlank
I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien'
Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment
Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations.
Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2.
Even the monkeys stood upright at some point.

Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.

Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.

Log cabin on the lake.

We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...

Crusoe and the pathogen.

From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.

Bed Bugs.

Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
**Good robot! Bad robot!**

After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.

I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.

The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.

Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.

_7/10_
I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors.
I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set.
I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick.
"Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon)
Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’.
David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps.


Conoscenza - Estate Alien: Covenant vedere 4k su vlc 6 nazioni super j streaming videos y musica descargar d'a festival 50 anni papà il jane eyre c'era una volta ad hollywood vedere mediaset yu degli spettri incidenti mortali.